Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Friday, June 02, 2017

"IL GATTOPARDO" TO BECOME TV SERIES



Back in 2009, in part 1 of two articles on books about Sicily for Italy Magazine, I explained how Il Gattopardo had inspired me as a teeneager and was perhaps even instrumental in eventually bringing me to Sicily. I've reread the book many times since then and I can't tell you how often I've watched Visconti's iconic film of the same title.

Il Gattopardo [The Leopard] by Giuseppe Tomasi di Lampedusa was published posthumously in 1958 and now it is to be turned into a television series. The rights have been acquired by the Italian company Indiana Productions who will work with the book's original publishers, Feltrinelli, and have the support of Gioacchino Lanza Tomasi, Giuseppe Tomasi di Lampedusa's adopted son and heir to his intellectual property.

The series will be internationally produced and will be filmed in locations mentioned in the book. Marco Cohen of Indiana Productions has said it will definitely not be a remake of the Visconti film, as that would be impossible but it will be authentic.

The production team are exploring the possibilities for an English language adaptation and the cast - top secret for the moment - will probably be international.

Carlo Feltrinelli said,

"Il Gattopardo not only put our publishing house on the map but also played an important part in the history of literature.  Today it allows us to relive a crucial moment for our identity as Italians and as Europeans. We are very happy about this new production which, nearly 60 years after the publication of the book, will help us discover the significance for our time of  Tomasi di Lampedusa's masterpiece and introduce it to a new generation."

Shooting is expected to start in Sicily in 2019.

Sunday, January 01, 2017

SICILY SCENE'S REVIEW OF 2016

The year which drew to a close yesterday was the one in which it became clear to me that the world has learnt nothing from the tragedies and disasters of the last century. Here, a little late, is my review of it:

Ups

Most unexpectedly, falling in love again.

Spending Christmas in Norwich with the sister I have known for only two years and walking through a bauble in that fair city!



Downs

The down side of falling in love - being dumped. It is a much worse experience, I have discovered, than it was when I was young, for there are now so many places to be dumped from, such as social media.

Brexit - even more devastating.

Continuing to hear of needless migration tragedies as the world looks on and does nothing.


Recipe of the year

Of those I have invented myself, this is the one I like best.

Chicken with cedri and Prosecco


Books of the year

The two best books I read in Italian during 2016 were Pesce d'aprile and Lacrime di Sale, Dr Pietro Bartolo's account of migrant tragedies as they affect Lampedusa. I'll shortly be reviewing Lacrime di Sale on Sicily Scene.

The most interesting book I read in English in 2016 was Half of a Yellow Sun by Chimamanda Ngozi Adichie. Besides telling a gripping story, the book explained to me a conflict which took place during my lifetime but which I knew next to nothing about.


Film of the year

This is related to my second book choice above. It is Fuocoammare.


Italian logic prize

This goes to Rai and the Italian government for this scheme and their strange definition of the term rata [installment].  Predictably, after July consumers were required to pay not one "installment" for the TV licence fee but the remaining six in one go!


Hopes for 2017

Once again, I hope the world wakes up to the fact that we are all migrants and I want to see safe corridors for today's migrants and an end to migration tragedies. I want to hear more from the voices of peace and less from those of belligerance.

I wish you all peace, health and love, wherever you are.

Happy New Year and thank you for reading Sicily Scene!
Buon Anno e grazie di aver letto la Sicily Scene!





You can find links to all my migration posts here and to my adoption posts here.


Monday, October 03, 2016

"EVERY MAN WHO IS A MAN"



On the third anniversary of this tragedy in the Mediterranean, at least 6,000 migrants have been saved by the Italian Coast Guard, Navy and ships belonging to international non-governmental organisations. The Coast Guard reports that there were 18 rescue operations involving 39 migrant boats. Sadly, nine bodies have also been recovered in the Sicilian Channel. On one dinghy a man was found dead and several migrants had burns and other wounds caused by leaking fuel. Two children and a woman with serious burns were rushed to hospital.

The surge of boats again heading for Italy from Libya is due to calmer weather conditions after a week or so of rough seas and no one expects them to stop coming. Laura Boldrini, the Speaker of the Italian Chamber of Deputies, again asked the rest of the EU to take their share of responsibility for migrants, reminding these countries that they do not hesitate to take their share of incoming EU resources.  It is with little optimism that I express my hope that her words will be heeded this time.

To mark this Day of Memory for Migrants, Rai 3 tonight showed the film Fuocoammare, directed by Gianfranco Rosi. I wrote about this film some months ago but had not seen it before tonight. The director spent 18 months on Lampedusa, filming a migrant boat trying to reach Italy, the rescue and recovery operation,  the processing of the migrants once they reach the island and the daily life of the islanders, including that of ER medic Dr Pietro Bartoli. Prior to tonight's screening, Gianfranco Rosi told Panorama magazine that on Lampedusa he found a much more complex and multi-layered story than he had expected . He said,

"It is not a political film but we cannot let the Mediterranean be the tomb of people fleeing war, hunger and desperation...  It is useless to erect barriers as walls have been toppled throughout history...  People fleeing desperation and death have no choice."

Fuocoammare is to be Italy's entry for Best Picture in the 2017 Oscars but its nomination has given rise to controversy. Paolo Sorrentino, director of La Grande Bellezza, has raised an objection not because he doubts the film's merits but because he believes it should be entered in the documentary section. Others do not think the film is sufficiently commercial. I have an opionion but will leave those of you who intend to see it  - and I hope many of you do - to make up your own minds.  I will say that I couldn't speak for at least half an hour after watching it and twitter revealed that many Italians felt the same. It is my belief that the film should be compulsory viewing for all would-be builders of border walls.

I  would also like to say that I am very proud of Italy tonight and will close with a quote from Dr Bartolo:

"È dovere di ogni uomo che sia un uomo aiutare queste persone - It is the duty of every man who is a man to help these people."

Thursday, March 03, 2016

ENNIO....AT LAST

As I hoped when I posted my sabato musicale at the weekend, 87-year-old Italian composer Ennio Morricone at last won an Oscar for a film score on Sunday night. The maestro had been awarded an honorary Oscar for his career in 2007 but, despite being nominated five times over the years, had not won an Academy Award for Best Score.

All that has now been put to rights with the award for the score of Tarantino's The Hateful Eight and the director, like the whole of Italy, is delighted. How could Italy and the world not love a man who, in his acceptance speech, dedicated both the score and the award to his wife?

Here is an excerpt from another of my favourite Morricone scores:

Wednesday, February 24, 2016

A DIFFERENT ARRIVAL ON LAMPEDUSA

The quayside at Lampedusa has featured many times on this blog, often as journey's end for migrants who have survived the dangerous Mediterranean crossing but also sometimes as a scene of tragedy as the bodies of others are brought ashore.  I have also often written about the incredible forbearance and kindess of the islanders towards the strangers they have found in their midst.

Today, however, the island's airport saw an arrival of a different kind - that of a little golden bear being clutched by a familiar figure to inhabitants, namely Dr Pietro Bartolo from their own ER department.  

"Questa è la sua terra - This is his land", said Dr Bartolo, laying the little bear on the ground. This was the Golden Bear awarded to Gianfranco Rosi [Sacro GRA] at the Berlin International Film Festival for his documentary Fuocoammare which he filmed over eighteen months whilst living  on Lampedusa.  The film shows a migrant boat trying to reach Lampedusa and also focuses on the daily life of the islanders.  Dr Bartolo, caring for both the influx of migrants and the island's inhabitants, is a key figure in the film.


Meryl Streep, who chaired the Film Festival jury, said of the film,

"In a year of thrillingly diverse films, the jury was swept  away by the compassionate outrage of one in particular. It’s a daring hybrid of captured footage and deliberate  storytelling that allows us to consider what documentary can do. It demands its place in front of our eyes, compels our engagement and action. It is urgent, imaginative  and necessary filmmaking.”

Dr. Bartolo said that he hoped the film would cause people all over the world to think about the suffering of migrants and that those in a position to help but who have been pretending not to hear of their plight would also stop and reflect. 

Gianfranco Rosi has dedicated the award to "the wonderful and generous people of Lampedusa."

The first video is via La Repubblica:

Wednesday, January 20, 2016

A MARKETING MASTERPIECE?

Originally shown at Milan Expo and published on Vimeo in September, the video below has now, with much fanfare, been uploaded to YouTube and is being hailed here as a masterpiece. It is certainly a break with traditional clips promoting Sicily and has been conceived with social networks in mind. The target market is Northern Europe, where people are known to start planning their holidays in January.

I'd very much like to know what all of you think before I divulge my own opinion but I do want to congratulate the Comune di Ragusa for having the courage to do something in a new way and I wish them every success.

Ragusa - easy to reach, hard to leave
Another, shorter version [1m.05] is also available on YouTube.
The director is Riccardo Lupo.

Friday, January 15, 2016

A NEW "LEOPARD"?



In 2009, I wrote an article for Italy Magazine which began,

"Who really knows when a journey towards fulfilment begins? Looking back, I sometimes think that my journey towards the island of Sicily began much earlier than that first visit in October 1992. And, like most of the important events in my life, it began with a book:

I don’t know quite why, browsing in a bookshop in Pinner, North London in 1967, I picked up a paperback entitled The Leopard, a novel by Giuseppe Tomasi di Lampedusa......."

This is, of course, the book which inspired the famous 1963 Visconti film starring Burt Lancaster, Alain Delon and Claudia Cardinale. Who could ever forget the ballroom scene? 
Well, now it has been reported that there is going to be a remake and Miss Cardinale is not happy about it, having asked how anyone can think of making a film version of Il Gattopardo without Luchino Visconti.  However, it turns out that the remake is not going to be a remake but a film about Giuseppe Tomasi di Lampedusa's life based on David Gilmour's biography The Last Leopard [which I also mentioned in the above article]. That's all right, then ... or is it?  
The new film is the brainchild of London-based filmmaker Demian Gregory and will include parts of the novel which were left out of the original film but there is some confusion here about rights. According to Variety, Mr Gregory has obtained the adaptation rights of the original film but other reports state that it may be more difficult for him to obtain film rights for the book. Gioacchino Lanza Tomasi di Lampedusa, the author's adopted son, has confirmed that the new project is not a remake but seems to think that more time will be required to deal with the question of the book rights.
The Italian legal system is not famous for its speed so it remains to be seen whether filming will start in Palermo this year as planned.
Pazienza, Mr Gregory!

Saturday, October 24, 2015

SABATO MUSICALE

Here's an oldie which is enjoying 21st century success because of a new film of the same name [released in Italy this week]. I must say Luciana Littizzetto does some excellent crying in this trailer!

Alessandro Amoroso - Io che amo solo te [trailer]

Monday, October 20, 2014

SAVING A SMALL TREASURE



I once taught in a school that was forced, for political reasons, to close and I have never forgotten what a painful experience it was for staff and pupils alike. Although that was a large, British comprehensive school, a far cry from a tiny school on a very small Italian island, it gave me some idea how the one teacher and, at that time, three pupils at Italy's smallest school must have felt when it was threatened with closure in June.

Therefore I was happy to read that the school, on Alicudi in the Aeolian Islands, has been saved, despite the fact that this year it has only two pupils, in their first and third years of primary school respectively. As you might imagine, there is still only one teacher but perhaps what the pupils lack in the presence of peers is made up for by the idyllic setting in which lessons take place in good weather conditions - on a terrace with a spectacular view.

The school owes its survival largely to the efforts and determination of Mirella Fanti, the headteacher of the Istituto Scolastico Lipari 1, which coordinates schools in the area. Signora Fanti said the school had been saved because other institutions on the islands had supported it and the families involved had decided not to move from Alicudi, which now has only about 100 inhabitants. Without the school, says signora Fanti, Alicudi would be even more isolated than it already is, as the school involves itself in community activities when there are no lessons.

The story of the school has inspired the documentary film L'Ultimo Giorno / The Last Day [Zalab /Museo del Cinema di Stromboli]. Director Alberto Bougleux says that the film is dedicated not only to Alicudi but to all teachers who fight for the right of their pupils to have a modern, creative and democratic school.

Three cheers for Alicudi!

Saturday, September 20, 2014

SABATO MUSICALE

Italy's favourite lady Sophia Loren is 80 years old today and still lighting up lives with her beauty, grace and intelligence. Buon compleanno, Sofia!

Sophia Loren - Guarda la luna ["Nine"]


And does anyone else remember this piece of delightful nonsense? 
 
Sophia Loren and Peter Sellers - Bangers and Mash




Buon divertimento, bella!

Friday, June 27, 2014

BOOK REVIEW - "LA MIA CASA E PIENA DI SPECCHI"

When I first settled in Italy and started watching Italian cookery programmes, I wondered who the striking, well-dressed woman who often appeared as a judge was, for there was something very familiar about her. Then I saw  her surname on the credits - SCICOLONE - and this was familiar too. Scicolone, Scicolone.... of course! This was the birth surname of Sophia Loren and Anna Maria Villani Scicolone is her sister.

In Britain, as an Italian teacher who had always followed the Italian news, I knew of the politician Alessandra Mussolini but I hadn't realised who her mother was. Anna Maria Scicolone's first husband was the dictator's fourth son, the jazz musician Romano Mussolini and Alessandra is their daughter. The marriage failed, largely due to Romano Mussolini's womanising but it is clear from Maria Scicolone's writing that she always held him in great affection.

I decided to find out more about Maria Scicolone and my chance came when the film of her autobiography, La mia casa è piena di specchi, [My House is Full of Mirrors] was shown on Italian TV a couple of years ago. In this film, Sophia Loren plays her own mother. This was not the first time she had done so, for there is an English language film of her life [Sophia Loren - Her Own Story], but this Italian version focusses on Maria's story.

After I had seen the film, I read Maria Scicolone's book of the same name and found it a fascinating and very honest tale: It is not a chronological  autobiography but is divided into chapters describing the sisters' young lives in Pozzuoli [Campania], their relationship with their determined but domineering mother, Sophia's rise to fame and Maria's struggles to obtain an education and be known as someone other than "the sister."

Maria, like Sophia, was the illegitimate child of Romilda Villani and Riccardo Scicolone but, whilst Riccardo recognised Sophia as his child, he refused to acknowledge paternity of Maria, who had to be locked away in her bedroom during his visits and saw him only through the keyhole. But there came a time, some years later, when Riccardo needed money. Romilda said she would help him if he would recognise Maria as his child and thus it was that she took the Scicolone surname.

Romilda and Maria had a troubled relationship, as mothers and daughters often do, but they loved one another dearly. Romilda didn't want Maria to continue with her studies before she was legitimised, because of the shame this might have brought upon the family, and afterwards she seemed to have thought it was too late and was also probably jealous. Maria, though, was, in her way, as determined as her mother and went on to obtain a degree in literature in 1976.

Maria often travelled with Sophia and Carlo Ponti and in Hollywood became interested in cookery. She writes of the friendships she formed with several Hollywood stars, including Cary Grant and Frank Sinatra and later she wrote a recipe book based on the meals she had enjoyed at their homes.

I was fascinated by Maria's account of her relationship with Benito Mussolini's widow,  the formidable Donna Rachele, who seems to have had a soft spot for the naive and lonely young girl and taught Maria to cook the dishes of her region.

Hospitalised for depression after her divorce, Maria fell in love with her doctor and has a happy second marriage.  

My one issue with the book is the lack, on Maria's part, of any censure of her deceased father-in-law's political ideas. That said, "Sophia Loren's sister", as she was known for so long, might have appeared, to the world, to have everything. This book charts her long and difficult search for autonomy. 

La mia casa è piena di specchi - wedding scene

Wednesday, December 04, 2013

RED FACES IN NAPLES

As I reminded Lidl Italia [because I want to know when they are going to get some dried cranberries in] on twitter this morning, it is nearly Christmas and that means it is time for Il Sole 24 Ore to publish their annual Quality of Life in Italy survey.

The figures, which came out on Monday, ranked Italian cities according to six criteria: standard of living, business and work, environmental and health services, population, public order and free time. According to the results, the top ten cities to live in in Italy are:

1.  Trento
2.  Bolzano
3.  Bologna
4.  Belluno
5.  Siena
6.  Ravenna
7.  Florence
8.  Macerata
9.  Aosta
10. Milan

Rome is in 20th position and Turin, surprisingly, in 52nd. These are the Sicilian results, with last year's ranking in brackets:

84.  Ragusa  [81]
88.  Enna  [87]
89.  Siracusa  [88]
91.  Messina  [94]
96.  Agrigento [95]
98.  Trapani  [103]
100. Caltanissetta  [105]
101. Catania  [90]
106. Palermo  [99]

Ragusa at least has the comfort of being top of the Sicilian list! There is little comfort for Naples and its province, coming in last at 107th, and still less for the city's beleaguered Mayor, Luigi de Magistris who, on the same day as the figures were published, was hosting Transport and Infrastructure Minister Maurizio Lupi and other dignitaries at a ceremony to open the new Garibaldi metro station. Just as the party were taking the escalator to the top level of the station, the wretched contraption decided to break down, leaving all to walk up the many stairs and not a few red faces.

Never mind, Napoli - I'm sure Julia still loves you:

Friday, November 29, 2013

MESSINAWOOD

Looking across the Strait of Messina


Here, at last, is some news to cheer Sicilians up and boost tourism on the island: The messinese actress Maria Grazia Cucinotta, along with Massimiliano Cavaleri, president of the cultural association Prima Stella, has come up with the idea of creating a "Walk of Stars", inspired by the Hollywood Walk of Fame, along the shores of the Messina Strait.

The idea is to put Messina back on the film map of the world and celebrate its cinematic heyday in the fifties and sixties. At that time, film stars from Italy and beyond would come to the Rassegna Cinematografica Internazionale di Messina and let themselves be seen there as they do now in Hollywood, Cannes and Taormina, where the Festival was relocated in the 1970s. The project, which looks to the future, too, has won support from all quarters of the Messina Council and Port Authority and architects have already been appointed.

It is envisaged that there would be a permanent commission to choose which stars would be honoured and now two star designs are being considered: a traditional star to be inserted into the existing paving or a three-dimensional design with room for some biographical details about the film star it represents.

I have just one tip for you, Messina:  if you don't want a certain politician lobbying for a place on the Walk, keep calling it the "Walk of Stars" and not the "Walk of Fame"!


Thursday, September 19, 2013

"SNOW WHITE" PIZZA

Sometimes the aroma from the pizzeria on the corner is just too tempting to resist and I enjoyed this Biancaneve condita ["Snow White" pizza with extra flavourings] from there the other evening. It contains mozzarella, ham, mushrooms, olives, salame, aubergine, onion and Würstel sausage:


I'm sorry I can't share the pizza with you, but I can share this!


Friday, September 06, 2013

SICILIANS WOW VENICE

Audiences and critics at the Venice Film Festival have been impressed not only by Sicilian directors and films featuring Sicily, but also by a certain female politician who has become Sicilian "by adoption".  She is Michela Stancheris, Regional Councillor for Tourism and  Governor of Sicily Rosario Crocetta's right-hand woman.

In Venice to introduce two of the Sicilian films, Miss Stancheris's handling of questions about her possible candidacy for the office of Mayor of her home town of Bergamo was masterful: The idea had first been announced by Mr Crocetta when he was in Bergamo for a meeting and it delighted some residents of that beautiful town whilst surprising others, including the incumbent, rather negatively. Miss Stancheris said she would first like to complete her work in Sicily but that she would consider the proposal seriously if invited to stand. Asked what would be the first thing she would do if elected, she replied that she would create an entertainment centre in Bergamo as, although the city is well-served by its airport, once young people arrive there, there is nothing to do in the evenings.  As for any romantic plans, Miss Stancheris said that she already has a fiancé whose name is Sicily.

But could it be that another career beckons the 31-year-old? An unnamed British film director who saw her at Venice is said to have cried,

"But you look like Diana!"

What do you think? Are they alike?

Michela Stancheris

Diana, Princess of Wales

I'll be watching developments in Bergamo with interest as it was the first Italian city I ever saw and, despite the fact that it is a Lega stronghold, I have a lasting affection for it.

Now, I'm sure you'd like to know about the films in the Festival which have been made by Sicilian directors or which are set in Sicily, so here they are:

Con il fiato sospeso - Costanzia Quatriglio

A 35-minute film but none the less powerful for that and based on a true story:  Anna, a pharmacy student at Catania University, begins some research in the chemistry laboratories there. She soon realises that her working environment is unhealthy and indeed, her fellow-students become ill. Anna's friend Stella, who has dropped out of university, tries to persuade her to stop working in the laboratories but Anna has a dream - to become a qualified pharmacologist. Throughout the film, we hear readings from the real diary of a student called Emanuele, who died of lung cancer in 2003. Five years later the laboratories were closed, after 36 people working or studying in them had become ill.

Via Castellana Bandiera - Emma Dante

Everyone is talking about this film! Two women drivers, one of them played by the director Emma Dante, cause a traffic jam in Palermo and a stand-off ensues. The film can be seen as a homage to the Western but Emma Dante says it is also about principles and the inability to compromise.

Le Donne della Vucciria - Hiam Abbass

Screened in the Giorni degli autori - Venice Days section for independent filmmakers, this is a very short film created as part of the Miu Miu Women's Tales series. Palestinian director Hiam Abass was in Palermo when she was invited to make a film for the project and she immediately knew that the vibrant Vucciria market had to be the background. At the beginning of the film we see Sicilian puppets dressed in Prada clothes and then we see some of the real women of Palermo in celebratory mood. Hiam Abass says she wanted to showcase the city's music, craftsmanship and a "certain kind of femininity".

Summer 82 When Zappa Came to Sicily - Salvo Cuccia

In the Fuori concorso - Not in Competition section: In 1982 Salvo Cuccia, who was doing his military service in the North of Italy, set off for Palermo to see a Frank Zappa concert. Sadly, he didn't arrive in time. Thirty years later, he retraces his steps and remembers his youth. We also meet members of Frank Zappa's family, who are visiting the land of the rock star's ancestors. The film contains previously unseen images from the 1982 concert.

Future Reloaded - 70 Directors for Venice


In addition, Franco Maresco has a short film in the Future Reloaded section, in which 70 directors who have been instrumental in the development of the Festival have been invited to make a short film to celebrate the 70th edition.

Con il fiato sospeso - Trailer


Via Castellana Bandiera - Trailer


Le Donne della Vucciria - Trailer

Tuesday, September 03, 2013

WISE WORDS IN VENICE

If George Clooney, doing what he does best, which is to look elegant and nonchalant at the same time, caused most of the excitement at the Venice Film Festival last week - let us be tolerant and ignore the fact that he probably didn't have a permit to pilot the water taxi - today there was, for me, a much more interesting visitor:

Regular readers will know that I have been following the fortunes of Italy's Integration Minister, Cécile Kyenge, a woman who has found herself facing the most outrageous prejudice since her appointment and who has done so with dignity and courage. It was nice, therefore, to see pictures of her looking happy and relaxed, in the company of her daughters, at the Festival.   

The Minister told ANSA,

"The cinema, with its special language that is capable of involving and touching us deeply, is important for integration and for changing people's attitudes towards migrants."

She attended a screening of Fred Kudjo Kuworno's 18 Ius Soli [Jus Soli - the "right of soil"], a film about the right to citizenship of immigrants' children who are born and brought up in Italy. [This is not an automatic right in Italian law and Miss Kyenge is campaigning to change that.]  

Speaking a few days before the start of the new academic year in Italy, Miss Kyenge also said that she believes that school is the place where a country's democratic values can be strengthened and that adults should protect the innocence of children, who do not see difference.

The Minister also saw the film Italy amore mio, directed by Ettore Pasculli. In this love story a Romanian girl in Italy finds herself torn between the two cultures but seeks self-expression in dance. President Napolitano has said that the film gives a good portrayal of the children of immigrants in Italy and that such children are a vital dynamic force in the country.

Asked what kinds of films she likes herself, Cécile Kyenge said that she prefers protest films and films from which you can learn new things. She also likes the films of the great comedian Totò because, she says, they make you laugh whilst helping you understand many aspects of Italian culture.


Saturday, July 06, 2013

SABATO MUSICALE

In honour of Mr Jovanotti, who appears in concert in Palermo tonight, I am reposting one of my favourite songs of his. It is, of course, the theme song of the film of the same name:

Jovanotti - Baciami ancora

Monday, April 15, 2013

BUON COMPLEANNO, CLAUDIA!



Today the actress Claudia Cardinale is 75 and I'm sure you'll all join me in wishing her a happy day.

Talking of ageing, as we were on Saturday, you will see from this BBC interview and from photographs on her website that Miss Cardinale knows how to do it elegantly.

For me, Claudia Cardinale, whose maternal grandparents and father were Sicilian, will always be associated with the island in her role as Angelica in Luchino Visconti's film version of Giuseppe Tomasi di Lampedusa's  Il Gattopardo:

Il Gattopardo - American trailer

Thursday, March 14, 2013

ANY UMBRELLAS?

Often it is the sideshows of great events that are most revealing about the nature of some of those attending them and so it was last night in Rome: As ecclesiastical history unfolded in the rain, spectators' umbrellas were refolded when they were asked to put them down so that everybody in the crowd could have a chance to see the new Pope. Italians can, at times, be among the most disorderly people in the world but at others, they will comply surprisingly quietly with a reasonable request and thus it was in St Peter's Square while the world looked on.

This got me thinking about umbrellas and I remembered that, when I first came here, it was difficult to actually buy one: they are not normally sold in supermarkets as they are in Britain and, if you couldn't run to a designer one, your choice was very limited. Those that were on sale at a reasonable price were either flimsy or had prongs that did not tuck in at the top, making them a menace to those padded raincoats so beloved of Italian women in winter.  Now better specimens are on sale in more shops, though rarely in supermarkets.

I've never really got on with umbrellas, I must admit, preferring a hood or my trusty Cardiffian hat, so when it does rain here I am often asked where my umbrella is.  This is a question which only someone addicted to their car would ask on a windy day for, as every Brit knows, rain and umbrellas do not mix. And when hailstones the size of eggs fall, as they did today in Modica, no umbrella would last very long. [Of course, I was the only person out and about in such weather once again.]



A beach parasol is known as an ombrellone or "big umbrella" and in the summer we were treated to the ombrellone strike. As I wrote then, Simi has her own version:



Earlier, I searched for umbrella quotes but the only one I liked, and which rather fits my mood at the moment, is this:

The rain it raineth on the just
And also on the unjust fella:
But chiefly on the just, because
The unjust steals the just's umbrella.

- Lord Bowen, quoted in Walter Sichel's Sands of Time.

My favourite Sicilian proverb about rain, by the way, is,

Cca çiovi supra ô vagnatu - Here it rains on the person who is already soaked [the implication being that troubles do not come singly, a premise with which I concur].

Does anyone know if there's still an umbrella repair stall in Cardiff Market?

Flanagan and Allen - The Umbrella Man




My favourite film featuring umbrellas is Les Parapluies de Cherbourg and I cry enough to make an umbrella necessary every time!




As it's nearly Easter, here's an umbrella song from Easter Parade:




Finally, here's a bit of inconsequential fun:

Enzo Jannacci - L'ombrello di mio fratello




If it's raining in your life at the moment, I hope a friend with an umbrella comes along soon!

Thursday, December 06, 2012

PIZZA FOR ONE

If you order takeaway pizza here, you order a whole pizza for each person, not one to slice and share as we do in Britain. I can never get through a whole pizza, so I was interested to explore the new pizzeria that has opened near my home; it's the first time I've seen "pizza for one person" advertised here.

I was fascinated by the mozzarella, creamed pumpkin, smoked provola, mushroom and rocket pizza on the ample menu and here is what constitutes a "portion for one" in Sicily: 


It was seriously good and anyone walking past my apartment door as I ate it - OK, most of it - might have been forgiven for imagining I was having a session with Mr Christian Grey in one of his jollier moods. I was also reminded of this:

Eat, Pray, Love - Pizza in Napoli scene

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