Showing posts with label song. Show all posts
Showing posts with label song. Show all posts

Saturday, February 18, 2023

STARS IN MY EYES

Here I am, almost a week late in posting about the 73rd Sanremo Festival of Italian Song, life and a storm (of which more below) having intervened. I always enjoy Sanremo but this year's festival did not get off to the best of starts, with the singer Blanco (one half of the duo which won last year) deciding to kick around the roses and mostly destroy the set because he had problems with his headphones during his performance. The Mayor of Sanremo was appalled, as were others, and pointed out how much work and time goes into the care of such flowers and the creation of such a set. He did, very tolerantly, I thought, add that we have all been young, and then called for an apology, which was, by all reports, forthcoming. The last I read on the incident was that the singer has been banned from the festival for the next three years. For me the evening was saved by the much loved singer and co-presenter Gianni Morandi, who calmly arrived on stage with a broom and swept like a pro. Do bring your broom round to my house if you find yourself in Sicily, Gianni! There might be a Welshcake in it for you.




I missed the second night of the festival because I fell asleep and on the third night Masterchef Italia was airing on another channel and claimed my attention but the following night's "Cover Night", when the singers in the competition perform versions of other artistes' songs (with another singer of their choice if they wish), was, as always, the best night for me, with the eventual winner of the festival Marco Mengoni giving a wonderful rendition of  Let It Be with the Kingdom Choir.

The final night featured two other scandals, or maybe three if you object to uterus-shaped jewellery (worn by co-presenter Chiara Ferragni), a minor one occurring when guest star Gino Paoli inappropriately began recounting the long-ago marital indiscretions (which may or may not have happened) of the partner of another artiste of his heyday and a major one when the rapper Rosa Chemical began twerking at Fedez, seated in the front row, and then dragged the latter onto the stage and snogged him. Signora Ferragni, who happens to be married to Fedez, was said to have been not exactly happy. Neither were many viewers and official complaints quoting "obscene acts" have been presented to the Public Prosecutor of Sanremo. Hmm. I leave the last word on this incident to the Sicilian comic Fiorello who, being interviewed by mobile phone on the show, commented that the next day all the papers would be talking about the clothes and the kiss rather than the songs - and they were.

The clothes, of course, help make Sanremo the fascinating entertainment that it is but I have to admit my eyes were on - well, the eyes. As an older woman, I have been aware for several years that I should by now have thrown out any black eyeliner lurking in my makeup drawers and opted for brown or at least navy blue and I have followed this advice. But black eyeliner was certainly back in vogue at Sanremo, and lots of it, on both young and older artistes. When I was young we all slapped it on after seeing Elizabeth Taylor in Cleopatra and I remember, at around the same time, an article in a teenage magazine in which the singer Dusty Springfield recommended not taking your eyeliner off at night, but leaving it on and painting the next day's liner over it. I tried this till the substance caked so much that I couldn't open my eyes. It all continued to look great on Liz Taylor and Dusty Springfield, though!

The worthy winner of the competition as a whole was, as I have mentioned, Marco Mengoni with his song Due Vite. I'm not usually very good at predicting the winner, but this time, I managed it - a superb song and fantastic performances. And well done, Sanremo (a town I have visited and remember with affection) and Rai.

In the eye of the storm

A storm like no other I have experienced in nearly eighteen years in Sicily began during the evening of Wednesday 8th February and I had begun to be concerned in the late afternoon when I read that all schools in Modica were to be closed the next day because of bad weather.

By mid-evening, the rain was pelting down relentlessly and I was surprised that the electricity supply held and enabled me to watch Sanremo at all. It didn't in several other areas of the city and I later learned that some homes were without power for as long as 36 hours. The difference between this violent storm and others I have witnessed here was that this one lasted so long - there was no let-up at all until Friday evening, schools remained closed, we were all asked to go out only for essential reasons and I had begun to think that it would never end. It was an extremely scary event to live through alone. 

My bedroom flooded, probably because the windows look out onto an open field, whereas the other rooms are partly protected by the surrounding buildings. The rug I keep near the bedroom balcony door became hopelessly wet very quickly and, searching a cupboard for some item to replace it, I came across a box of mat-sized absorbent pads, made of cotton wool backed with plastic, which I had bought when my dog was a puppy. (They didn't work because my dog thought they were for eating and then destroying.) I placed them on the bedroom floor and am happy to report that they did the job, absorbing a lot of the water and at least preventing things from becoming any worse. 

The whole Province of Ragusa was affected by the storm but Modica was particularly badly hit this time. Trees and masonry fell, roads became impassable and in the Old Town café tables and chairs were just swept away by the water coursing down the main street. Everyone I have spoken to this week had had to contend with water, to a lesser or greater extent, getting into their homes and it is not an experience any of us wish to see repeated. However, as Sicilians say, this time "Siamo qua" ("We are here"). 


Thursday, February 03, 2022

SANREMO 2022 - AN ECLECTIC VIEW

How lovely it is to see the Sanremo Festival back this year with a live audience in the Ariston Theatre. This, of course, wasn't possible last year, when everyone did their best but presenters like Amadeus and Fiorello need the interaction which only a live audience can provide for them. More importantly, though, being able to watch the much-loved Festival in its usual format is giving Italians a sense of normality and goodness knows, all our psyches need that. 




So  what were the highlights and controversies of the first two evenings on Tuesday and Wednesday? Well, much will depend on how you view certain matters, for the always original Achille Lauro was the first contestant to get himself into a row and not any old row, but one with the Catholic Church because he appeared, bare-chested, barefoot and tattoed and performed a mock baptism. This led to accusations of blasphemy. The singer defended himself by saying that he had dedicated the performnce to his mother and that mothers give life and therefore renew us every day. Another person to defend him has been Carmelo La Magra, the former priest of Lampedusa, who asked if people only demonstrate their Catholicism when Achille Lauro sings. He also said that the singer is an artist whose job is to deliver messages and advised people to be scandalised about other things and to allow themselves to laugh now and then. Meanwhile the editor of the Vatican City newspaper, L'Osservatore Romano, wrote, 

"Sanremo is Sanremo. The Osservatore is the Osservatore...... They don't make sinners like they used to."

I rather think that those should be the last words on the controversy but I leave judgement to those more versed in religion than I am.

Like most of my contemporaries, I love a golden oldie type of song and Massimo Ranieri gave us one in Lettera al di là del Mare. I must admit to being rather cross with Mr Ranieri, though, for in a recent interview the singer, who will be 71 in May, talked about his desire to have a son. 

"Fortunately a man of a certain age can reproduce and I sincerely hope to do so."

He said he thought he would be an ideal dad - he has a daughter but he didn't recognise her until she was 24 - as he has the body clock of an artist and rarely goes to bed before 3 am. Therefore staying up with a crying baby would not bother him. It may be true, as he says, that 70 is not old these days and as I am just over that age too I am happy to believe him. However, I couldn't help thinking that if a woman of that age expressed her desire to become a mother, she would be widely vilified, as indeed many women twenty years younger have been. Anyway, I enjoyed the song, Massimo.

Next up on this blog is 82-year-old Sanremo veteran Iva Zanicchi, who looked fabulous and belted out a song called Voglio amarti. I must admit I didn't take much notice of the lyrics, as I spent her performance time with my nose almost pressed to the screen trying to work out exactly what shades of eyeshadow she was wearing so that I could copy them. When I heard the song again later, I particularly liked the lines,

E se un giorno scoprirò
Nel mio cuore una ruga in più… sarai tu

And if one day I find

Another wrinkle in my heart ... it will be you.

When Iva Zanicchi was placed last in Wednesday night's press and media vote, her reaction was,

"Well, at least they noticed me."

If I make it to 82, I want to be like Iva!

The singer in first place was Elisa, back at Sanremo after twenty years, with O forse sei tu. I, too, thought this was a beautiful song but the public votes which start on Thursday could change everything. 

Perhaps the most touching moment on Wednesday night was when co-presenter and actress Lorena Cesarini spoke about her experience of racism, quoting some of the cruel comments she has received on social media since the announcement that she would be co-presenting on Wednesday:

"After Amadeus's announcement I discover that, at 34, it isn't true that I'm an Italian girl like the the others - I'm black... But I keep asking myself, 'Why? Why are there people who have a problem with the colour of my skin?' "

I don't know, Lorena and I can't imagine how this must feel. I can only tell you to keep on being your brilliant self and to hope that we will emerge from the pandemic having learnt that we are all human and must stand together. 

I am not watching Sanremo tonight (Thursday) because Masterchef Italia requires my attention but I'll be watching tomorrow and on Saturday (the final night) and will probably take part in the public vote.


Wednesday, July 21, 2021

LOOKING AT THE MOON

The anniversary of the 1969 moon landing always makes me think of my first visit to Italy, which took place in that year and I have written about it before on this blog. However, I could hardly believe that it was 52 years ago yesterday at 10.17 pm Italian time, if you focus on the moment Apollo 11 landed, or 52 years ago today, at 4.56 am if you  focus on the moment Armstrong set foot on the moon.

Here is another extract from my book, A Place Called Siracusa, in which I remember the night of 20th - 21st July 1969. I had been living with the Bianchi family in Bergamo and everything, including Italian food, was new to me. The wife had done a bit of matchmaking on my behalf and I had acquired an Italian boyfriend called Luca:

 It wasn’t only my tastebuds that were singing, though. It was as if all my senses had been awakened:  there were the sounds and the silences – the mad boys as their vespas roared by, the cacophony of sounds in the street, the silence of the convent opposite the apartment, punctuated only by bells. There was the smell of the food being prepared - often the aroma of ragù being prepared for lunch would drift up from another apartment from as early as 8 am. Then there was the delicate scent of vanilla that wafted through the air every time you passed a pasticceria and always there was the aroma of freshly-picked lemons.Touch - there was the tactility of Italy, certainly, but also the joy of touching Martina’s freshly ironed. crisp linen sheets, the velvet skin of peaches and apricots, the coolness of marble when you entered apartment buildings. And what a feast for the eyes this country was! In addition to all that, I had met with kindness everywhere.

When Dott. Bianchi took me to the Duomo (cathedral) in Bergamo I was rendered speechless by its beauty and when I first saw Milan Cathedral it was both its grandeur and its loveliness that stopped me in my tracks. When we went to Riccione and Rimini for a few weeks it was the blue of the sea; and it was the sheer majesty of the Alps when we went to spend a week at the Bianchi house there, in Foppolo.

Luca had followed us to both Riccione and to Foppolo, and it was in Foppolo that I found myself on the night of the moon landing, 20 July 1969.  Italian TV was playing songs about the moon late into the night and when they played "Guarda che luna" we all went out onto the balcony to do just that – look at the moon. We couldn’t believe there were men up there!  I only have to listen to the first bar of that song and I am nineteen again, standing back on that balcony in Foppolo, with the Alpine breeze cooling the night air and Luca's arm around me.





So here's to looking at the moon!

The book will be more widely available soon - watch this space!


Thursday, March 01, 2018

ST. DAVID'S DAY 2018

Yes, I've had a long break from blogging, for health and other reasons but I've never let a St David's Day go by without posting and I will not do so now.  So HAPPY ST DAVID'S DAY, wherever you are!

Over at London Town Modica - Centro Linguistico Internazionale we've been celebrating as usual and even the Queen popped in:




Later we decided we needed more cake:



Whatever is going on in her life, a girl needs to keep on trying, so here are my St David's Day nails and top:



Bertie-Pierrine had a St David's Day haircut and is feeling very waggy:


And finally, some St David's Day music. I love this version of The Ash Grove:

Stay happy. Stay Welsh, even if you're not and stay kind!

Saturday, November 04, 2017

DONA NOBIS PACEM 2017



With thanks, as always, to the wonderful Mimi Lenox for her year-round work for this day.

Laura Pausini - Il mondo che vorrei

Monday, September 18, 2017

SABATO MUSICALE ON MONDAY

I'm sorry there's been a bit of a break - blame the relentless heat, even for Sicily, this summer and, quite posibly, ageing!

Anyway, what better way to kickstart the blog again than with music? This is fabulous and comes from the Celebrity Fight Night Concert with Andrea Bocelli in Rome last week, where millions were raised for the Andrea Bocelli Foundation and the Muhammad Ali Parkinson Centre. 

I am sure you will join me in wishing the tenor well, as he was briefly hospitalised after a fall from his horse on Thursday.  He says he is fine and will travel to Jordan for a concert on Monday.

Andrea Bocelli and guests at Celebrity Fight Night 2017 - Imagine

Thursday, August 10, 2017

BUONA NOTTE DI SAN LORENZO 2017

This is the night when Italians look for shooting stars. If you see one, don't forget to make a wish! But don't worry if they don't appear for you tonight - they should be around for a few nights more. Have a happy St Lawrence's night, everyone!

Eros Ramazzotti e Patsy Kensit - La luce buona delle stelle
City of Stars from La La Land

Sunday, July 16, 2017

DOMENICA MUSICALE

Here is Gianluca from Il Volo to cheer us all up:

Il Volo - soloist: Gianluca Ginoble - La Danza (Rossini)

Friday, July 14, 2017

BONNE FÊTE NATIONALE 2017!

Recently I've been reminded how much France and her freedoms have meant to me by reading Sarah Bakewell's At the Existentialist Café, a history of existentialist philosophy told in an effervescent, innovative style which is hinted at in the book's subtitle,  Freedom, Being and Apricot Cocktails. I felt as if I were "meeting" all the French authors who had so influenced my youth all over again and it brought back the excitement of encountering their thought for the first time.

A detail I'd forgotten but was reminded of in the book is that the lyrics of the song below were penned by none other than "Mr Existentialism" himself, Jean-Paul Sartre. Its subject matter, with its references to executions, is hardly cheery but I remember having great fun with it celebrating Bastille Day in 1989 (the bicentenary of the French Revolution) at the school where I was then head of modern languages. I don't think my noisy teenage students' renderings of it, interspersed by my playing of all nine verses of the Marseillaise, brought my colleagues in neighbouring classrooms much joy but I have fond memories of the day, even though at the end of it I was so tired that I was rather glad there was a century to go till the next such celebration. Vive la France!

Juliette Gréco -  La rue des Blancs-Manteaux

Sunday, July 02, 2017

DOMENICA MUSICALE

Time for a little fun with the number three song in the Italian charts (not the Volare you may be thinking of!)

Fabio Rovazzi e Gianni Morandi - Volare

Saturday, June 10, 2017

SABATO MUSICALE

Sorry about the lack of posting this week, everyone - I've been somewhat distracted by events in my home country, as you may imagine. 

This morning I decided it was time to head for Catania for a change of scene and some ingredients I can't find in Modica. (I don't know why bay leaves have disappeared at the moment - they are like gold dust!)  Here is my catenese summer breakfast and my "haul" from Cristaldi:



Well, night is falling and I'm feeling sentimental, so here is a song for everyone who's ever lain awake missing someone:

Arisa - La notte

Sunday, June 04, 2017

DOMENICA MUSICALE

What else, tonight?

Stay safe, wherever you are.


Ariana Grande with Parrs Wood High School Choir - My Everything  #OneLoveManchester

Saturday, May 27, 2017

SABATO MUSICALE

At the end of a sad week in both my countries, I think this, sung by a Welshwoman and an Italian, is appropriate.

Andrea Bocelli and Katherine Jenkins - I Believe
My thoughts are with all affected by the events in Manchester, UK, and with the families and friends of Judge Giovanni Falcone, Judge Paolo Borsellino and the members of their escort who lost their lives on 23.5.92 and 19.7.92.

Sunday, April 30, 2017

DOMENICA MUSICALE

The title track of the number 3 album in the Italian iTunes album chart:

Francesco Renga - Scriverò il tuo nome

Sunday, April 23, 2017

DOMENICA MUSICALE

If, like me, you need cheering up, who better to do it than the lovely Mr Buanne?  Found this by chance.

Patrizio Buanne - Gli occhi miei [Help Yourself]

Sunday, April 02, 2017

DOMENICA MUSICALE

To reach no. 25 in the Italian singles charts isn't bad for a song from 1977, so congratulations to Umberto Tozzi who, to celebrate the 40th anniversary of the song, has recorded it with Anastacia. It features in a new album, Quarant'anni che ti amo.


Sunday, March 26, 2017

Sunday, March 19, 2017

DOMENICA MUSICALE

I knew of this Eros song, but not that he had sung it with Pavarotti. When I heard it on the radio last week, I was moved to tears:

Eros Ramazzotti e Luciano Pavarotti - Se bastase una canzone

Sunday, March 12, 2017

DOMENICA MUSICALE

Nice to see this collaboration between Tiziano Ferro and Catania's Carmen Consoli. No. 12 in the Italian singles chart this week:

Tiziano Ferro e Carmen Consoli - Il conforto

Sunday, March 05, 2017

DOMENICA MUSICALE

Asked to talk about the process of translation last night at the launch of Antonio Lonardo's poetry collection, Alla ricerca dell'Oreb, which I have translated, I quoted some lines from this Aznavour song. Although, in this case the "song" had already been written, I felt the search for the right words in another language was similar.  Here are the French and Italian versions of the Aznavour song: 

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